Their temples pound. At last –a entire body results in being possessed. A woman falls to the ground, her body leaping savagely, although from numerous throats the cry resounds.
Now the saint dances frenetically to the defeat from the drums which incite him to further more frenzied motion.
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Alternatively into the sounds of Willie Colon’s “Chica Plástica” the thing is Cali type dancers, who prefer an aerobic approach to salsa dancing, continually twirling, going in and out from the effectively-known Cali “vueltas”, jumping a little bit to each aspect stage, utilizing their palms like maracas when dancing separately, showcasing what flows by means of their blood.
This signifies the arrival of your saint. He has entered your body of the believer. He's among them and preparing to talk to the tongue of his “horse” and also to dance within the physical type of his “instrument”.
This word can also be spelled "bebé" inside the sense proven in one). The feminine kind of "bebe" can also be "beba" in locations including the River Plate, Mexico, and Puerto Rico.
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Desde el mediodía abren sus puertas como restaurante, sirviendo el típico cerdo y ropa vieja de la Isla, y en la noche sirven variedad de mojitos mientras suena Salsa sin parar.
It's not imposed on individuals, neither is it a thing demonic as is the situation with videos like “The Exorcist”. If someone isn’t ready, the orisha is delicately deterred away right until the individual is initiated and organized for these celebration.
Este lugar acogedor se mueve al ritmo del son cubano. Mientras ordenas rondas de mojitos tendrás la tentación de probar sus movimientos en la pequeña pista de baile.
La ceremonia resuena al son de los “atabales” (pandereta que se toca en las fiestas). Los tambores batás suenan incesantemente. Los “güiros” proporcionan un fondo adicional para el coro de voces que eleva su canto a la morada de los “orishas”.
Esto significa la llegada del santo. Ha entrado en el cuerpo de un creyente. Él está entre ellos y se prepara para hablar con la lengua de su “caballo” y bailar en la forma física de su “instrumento”.
The ceremony resounds for the sound on the “atabales”. The “batas” drums beat incessantly. The “güiros” give even further qualifications for the choir of voices which raises its chant on the dwelling area on the “orishas”.
The rhythms Participate in a vital portion With this equation and the drummers follow assiduously For many years for taking part in intricate rhythms properly. This is very important because the drums seriously speak to the Orishas since the yoruba language is tonal, and drums have been tuned so that they touch different shades on the Yoruba language.